๐๐ณ ๐๐ผ๐โ๐ฟ๐ฒ ๐๐ฟ๐๐ถ๐ป๐ด ๐๐ผ ๐ด๐ฟ๐ผ๐ ๐ผ๐ป ๐ง๐ถ๐ธ๐ง๐ผ๐ธ ๐๐ถ๐๐ต ๐ฐ๐ผ๐บ๐ฒ๐ฑ๐ ๐ฐ๐ผ๐ป๐๐ฒ๐ป๐ ๐ฎ๐ป๐ฑ ๐๐ผ๐โ๐ฟ๐ฒ ๐๐๐ถ๐น๐น ๐ท๐๐๐ ๐๐๐ถ๐ป๐ด #๐ฐ๐ผ๐บ๐ฒ๐ฑ๐ – ๐๐๐ผ๐ฝ
The data doesnโt lie itโs not about volume anymore, itโs about precision
๐๐ผ๐ผ๐ธ ๐ฎ๐ ๐๐ต๐ฒ ๐ป๐๐บ๐ฏ๐ฒ๐ฟ๐: #comedy has 3 trillion views overall but only 60 billion in the last 12 months in the US. Thatโs a massive drop from its peak. And while it still pulls in half your audience from 18-24, the real signal is in the related interests โScriptedโ at 110, โMagicโ at 89. Itโs getting diluted by skits, pranks, and meme edits that donโt actually connect with comedy fans
๐ก๐ผ๐ ๐ฐ๐ผ๐บ๐ฝ๐ฎ๐ฟ๐ฒ ๐๐ต๐ฎ๐ ๐๐ผ #๐๐๐ฎ๐ป๐ฑ๐๐ฝ๐ฐ๐ผ๐บ๐ฒ๐ฑ๐ ๐ต๐ฒ๐ ๐๐ถ๐ฒ๐๐ ๐ผ๐๐ฒ๐ฟ ๐ฏ ๐๐ฒ๐ฎ๐ฟ๐, ๐ฑ๐ ๐ถ๐ป ๐๐ต๐ฒ ๐น๐ฎ๐๐ ๐๐ฒ๐ฎ๐ฟ ๐ฎ๐น๐ผ๐ป๐ฒ. Smaller total, yes, but way more focused. Its audience is tighter 45% 18-24, 29% 25-34 and their interests? Magic, Sports News, Humanities. These are people who watch full sets, follow comedians, care about delivery and timing
๐๐ป๐ฑ ๐ต๐ฒ๐ฟ๐ฒโ๐ ๐๐ต๐ฒ ๐ธ๐ถ๐ฐ๐ธ๐ฒ๐ฟ ๐๐ฟ๐ฒ๐น๐ฎ๐ป๐ฑ, ๐๐ฐ๐ฒ๐น๐ฎ๐ป๐ฑ, ๐๐ฎ๐ป๐ฎ๐ฑ๐ฎ, ๐๐๐๐๐ฟ๐ฎ๐น๐ถ๐ฎ are leading regions for standupcomedy. Not the US. So if youโre targeting Americans, youโre swimming upstream. But if youโre building a global brand or want to tap into under-served markets? Thatโs where the real whitespace is
๐ช๐ฒ ๐๐ฒ๐๐๐ฒ๐ฑ ๐๐ต๐ถ๐ ๐น๐ฎ๐๐ ๐พ๐๐ฎ๐ฟ๐๐ฒ๐ฟ ๐๐๐ถ๐๐ฐ๐ต๐ฒ๐ฑ ๐ณ๐ฟ๐ผ๐บ ๐ฏ๐ฟ๐ผ๐ฎ๐ฑ ๐ฐ๐ผ๐บ๐ฒ๐ฑ๐ ๐๐ฎ๐ด๐ ๐๐ผ ๐ป๐ถ๐ฐ๐ต๐ฒ ๐ผ๐ป๐ฒ๐ ๐น๐ถ๐ธ๐ฒ #๐๐๐ฎ๐ป๐ฑ๐๐ฝ๐ฐ๐ผ๐บ๐ฒ๐ฑ๐, #๐ฐ๐ผ๐บ๐ฒ๐ฑ๐๐๐ฒ๐, #๐น๐ถ๐๐ฒ๐ฐ๐ผ๐บ๐ฒ๐ฑ๐. Engagement jumped 37%, follower retention improved, and we started seeing shares from actual comedians instead of random commenters
๐ฟ๐ค๐ฃโ๐ฉ ๐๐ช๐จ๐ฉ ๐๐๐๐จ๐ ๐๐๐ ๐ฃ๐ช๐ข๐๐๐ง๐จ ๐๐๐๐จ๐ ๐ฉ๐๐ ๐ง๐๐๐๐ฉ ๐ฃ๐ช๐ข๐๐๐ง๐จ. ๐๐๐ ๐๐ก๐๐ค๐ง๐๐ฉ๐๐ข ๐ง๐๐ฌ๐๐ง๐๐จ ๐จ๐ฅ๐๐๐๐๐๐๐๐ฉ๐ฎ ๐ฃ๐ค๐ฌ ๐ข๐ค๐ง๐ ๐ฉ๐๐๐ฃ ๐๐ซ๐๐ง
Whatโs one hashtag youโve seen outperform expectations lately? Iโm tracking this stuff weekly and love swapping notes